Showing posts with label Nostalgic. Show all posts
Showing posts with label Nostalgic. Show all posts

[xuxcv] Download Nameplate Stencil JNL fonts from Jeff Levine

Nameplate Stencil JNL


A vintage brass stencil for an individual or company named ‘Rodrigues’ was spotted in an online auction.


The hand punched, condensed Roman lettering inspired the digital typeface Nameplate Stencil JNL, which is available in both regular and oblique versions.



Nameplate Stencil JNL


[oamnv] Download Stenographer JNL fonts from Jeff Levine

Stenographer JNL


Sheet music for the song “The Little Thing You Used to Do” (from the 1935 motion picture “Go into your Dance” starring Al Jolson and Ruby Keeler) had its title set in what closely resembled Bank Gothic Condensed.  


[Bank Gothic was originally designed by Morris Fuller Benton for American Type Founders circa 1930.]


This reinterpreted version is now known as Stenographer JNL, and is available in both regular and oblique versions.




Stenographer JNL


People Talk JNL fonts from Jeff Levine - (pgysv)

People Talk JNL


A title card with cast credits for the 1935 movie “The Whole Town’s Talking” (starring Edward G. Robinson and Jean Arthur) formed the basis for People Talk JNL.


The hand lettered names were done in a slightly condensed slab serif – mostly rectangular in shape with rounded corners. A few characters take on their own unique appearance.


People Talk JNL is available in both regular and oblique versions.



People Talk JNL


Goose Creek JNL fonts from Jeff Levine - (wyawx)

Goose Creek JNL


The hand lettered credits from the 1942 British film comedy “The Goose Steps Out” became the model for Goose Creek JNL, a simple sans serif design available in both regular and oblique versions.


According to the Internet Movie Database (imdb), “A bumbling teacher turns out to be the double of a German general. He is flown into Germany to impersonate the general and cause chaos and hilarity in a Hitler Youth college.”  


The title is a parody of the “goosestep” style of marching by German soldiers during World War II.


As a variant on the movie’s title, the font was named for Goose Creek, South Carolina – a charming community just northeast of historic Charleston.



Goose Creek JNL


Download Vetrena MF Fonts Family From Masterfont

Download Jazz Guitar JNL Fonts Family From Jeff Levine

Download Jazz Guitar JNL Fonts Family From Jeff Levine
Download Jazz Guitar JNL Fonts Family From Jeff Levine Download Jazz Guitar JNL Fonts Family From Jeff LevineDownload Jazz Guitar JNL Fonts Family From Jeff Levine



Latin music was all the rage in the United States from the 1930s through the 1950s and songs with a “South of the Border” or “Old Mexico” theme were plentiful. The 1940 sheet music for “Make Love with a Guitar” evoked the idea of serenading one’s lovely lady on horseback while strumming the guitar. ..at least if you went by the by the illustration under the song’s name. As the hand lettered title was rendered in an Art Deco design, it became the basis for Jazz Guitar JNL [which seemed a more befitting name], and is available in both regular and oblique versions.


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Download Marketing Stencil Fonts Family From Jeff Levine

Download Marketing Stencil Fonts Family From Jeff Levine


Vintage (circa 1960s) packaging for Parker Cartridge Pen Erasers had the product description printed in bold stencil lettering featuring a squared look with rounded corners. This design has been recreated digitally as Marketing Stencil JNL, which is available in both regular and oblique versions.


Download Marketing Stencil Fonts Family From Jeff Levine


Download Manufactory JNL Font Family From Jeff Levine

Download Manufactory JNL Font Family From Jeff Levine


Manufactory JNL and its oblique counterpart were re-drawn from examples of a now-antique typeface used within many advertisements found throughout the pages of The American Stationer magazine, circa 1879. The term ‘manufactory’ was popular during this era; the word being a more archaic form of ‘factory’. There is a bit of Western flavor to this type design, as the spurred serifs and the top and bottom strokes are heavier than the vertical and mid-point stroke weights.


Download Manufactory JNL Font Family From Jeff Levine


Download Nouveau Rose Font Family From Jeff Levine

Download Nouveau Rose Font Family From Jeff Levine


In the July 24, 1915 issue of “Dry Goods Reporter” is a demonstration of hand lettering rendered with the use of a “speed pen”. Two suggested examples cited in the accompanying article were the Payzant pen and the then-new Speedball pen. An ornate Art Nouveau serif alphabet is displayed, with some examples having delicate floral elements entwining the letters. The initial alphabet was auto-traced, then cleaned-up and modified to recreate the core design of the basic (unadorned) letters. The numerals, punctuation and all additional characters were then made from scratch. Nouveau Rose JNL is the finished result, and is available in both regular and oblique versions.


Download Nouveau Rose Font Family From Jeff Levine


Download Radio Interference Font Family From Jeff Levine

Download Radio Interference Font Family From Jeff Levine


The font Antique Slabserif JNL was run through a filter to create a design that looks like worn type at smaller settings or jaggedly distressed lettering in larger type heights. The end result is Radio Interference JNL, which is available in both regular and oblique versions.


Download Radio Interference Font Family From Jeff Levine


Download JNL Turntable Stencil Font Family From Jeff Levine

Download JNL Turntable Stencil Font Family From Jeff Levine


A disc jockey-only promotional sleeve for a 1964 [45 rpm] release of “Close to Me” and “Let Them Talk” by Dan Penn featured the song titles printed in a stencil typeface on the record sleeve. Closely resembling a stencil version of Franklin Gothic but with its own unique characteristics, this design has been reinterpreted as Turntable Stencil JNL and is available in both regular and oblique versions. For trivia buffs, Dan Penn is a singer-songwriter-record producer, often collaborating with Dewey Lindon “Spooner” Oldham; both closely associated with the late Rick Hall’s Fame recording studios in Muscle Shoals, Alabama. In 1964, Hall started the Fame record label, and for a time it was distributed by Vee-Jay Records of Chicago, the first major Black-owned record label in the United States. Penn’s release was only the second for the new label; Fame 6402.


Download JNL Turntable Stencil Font Family From Jeff Levine