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A typographic treasure, originated at the end of the 18th and the beginning of the 19th century, had been brought back to life. With its charming touch it makes a wonderful font for poems, bookcovers, reprints and other historically relevant projects.
To get access to all ligatures, it is recommended to activate both Standard and Discretionary Ligatures; the round s you find on the # key, and typing the combination N-o-period and activating the OT feature Ordinals gets you the numero sign.
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Based upon Emil Rudolf Weiss’ Fraktur, first released in 1913, Emilia Fraktur was redrawn and extended not only with its engraved initial caps but also with various ornaments and border elements.
To get access to all ligatures, it is recommended to activate both Standard and Discretionary Ligatures.
The quickest way to the long s is by typing the integral sign.
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Based upon Emil Rudolf Weiss’ Fraktur, first released in 1913, Emilia Fraktur was redrawn and extended not only with its engraved initial caps but also with various ornaments and border elements.
To get access to all ligatures, it is recommended to activate both Standard and Discretionary Ligatures.
The quickest way to the long s is by typing the integral sign.
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Based upon Emil Rudolf Weiss’ Fraktur, first released in 1913, Emilia Fraktur was redrawn and extended not only with its engraved initial caps but also with various ornaments and border elements.
To get access to all ligatures, it is recommended to activate both Standard and Discretionary Ligatures.
The quickest way to the long s is by typing the integral sign.
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F. H. Schneidler’s ‚Kontrast‘, released by Weber in 1930, revived.
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Rekord Antiqua, regular and semibold, released 1911 by Wagner & Schmidt, is a perfect body text partner for Art Nouveau display fonts. Both styles come with a long s, which can be reached by the OT feature of historical forms or by typing [alt] + b.
In addition, you find two framing elements on [alt] + P and [alt] + p.
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